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Humanitas III: The People of Burma
PDF Download Humanitas III: The People of Burma
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About the Author
Fredric Roberts’s work has been honored with numerous international photography awards. His previous books include Abbeville’s Humanitas and Humanitas II: The People of Gujarat. His photographs are displayed at Stanford University and San Diego’s Museum of Photographic Arts. He lives in Los Angeles.
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Excerpt. © Reprinted by permission. All rights reserved.
CIRCLES OF LIFEEmma Larkin On my first trip to Burma in the mid-1990s, I was naively surprised by how normal everything looked. I had read the news articles and human rights reports on the tyranny of Burma’s military rulers but saw and heard no evidence of atrocities being committed, and I came across only a handful of soldiers during my three weeks there. Instead, I found myself wooed by the country’s supreme beauty—from the postcard-perfect scenes of gilded pagodas set against a backdrop of coconut palms, to the dilapidated splendor of the mildew-stained colonial buildings of Rangoon. The beauty of Burma took me by surprise, as did the people, who went about their daily business—talking, laughing, farming, shopping, chewing betel, reading, going to the movies… As a Burmese friend later chided me, “What did you expect? That we would all be sitting around on the pavements crying?” Since that first trip, I have come to understand more about the mechanisms that so effectively hide the oppressive nature of the Burmese government. The central plains of Burma are surrounded by seven ethnic states, many of which have been involved in armed struggles against the Burmese government for decades. It is in these remote mountainous landscapes that the worst human rights abuses take place, and foreigners are forbidden access to these so-called “black areas”. The parts of Burma where foreigners can travel freely (“white areas”) are governed by a different set of rules, and the government employs tools that have been tried and tested by dictatorships across the world to protect the status quo; namely censorship, propaganda, and surveillance. As the military in Burma has been in power since 1962, this process is well honed. The truth of events is systematically deleted through censorship; everything that is printed in Burma—from magazines to song lyrics—must first be approved by a rigorous press scrutiny board. The government then produces its own version of the truth through propaganda in the form of daily newspapers, government-controlled television, and billboards promoting distorted images of reality, such as soldiers smiling alongside ethnic minorities in traditional attire. Surveillance is perhaps the most insidious of these control mechanisms; through a vast network of spies and informers, the government is able to keep tabs on most Burmese citizens, and people—aware of hidden eyes and ears—control their actions and conversations accordingly. As a result, you can travel around Burma for the full four weeks allowed on a tourist visa and have no idea that you are in a military dictatorship. I have returned to Burma many times since that first trip and have come to understand, too, that life goes on, even within the confines of Burma’s severely constricted political environment. And it is this indomitable sense of life that is so evident in the following pages. These photographs document life as it is lived in Burma; against great odds (political, economic, and social). Here is life in the wet markets, in paddy fields, in monasteries, on the banks of the Irrawaddy River, by candlelight, and in shadow. For me, one of the most compelling themes that recurs throughout these images is that of circles. Notice the circular patterns replicated in picture composition and content—the formation of elliptical teacups on a teashop table, the burnt-sienna sun of a monk’s umbrella, a group of novice monks encircled for study around books opened on a scuffed wooden floor. The form and concept of the circle pervade life in Burma, from the curvaceous Burmese script to age-old and ingrained spiritual beliefs. As a predominately Buddhist country, the majority of Burmese people believe in the karmic cycle. If a person commits good acts the accumulated merit will hold him or her in good stead, if not in this life than in the next. In the same way, bad acts are repaid in kind. There is a Burmese phrase that says wut leh deh, which describes negative impact circulating on a wheel and translates roughly as “what goes around comes around”. This phrase is often used to describe the grim fate awaiting Burma’s military rulers; it is a fact merrily cited by many that few generals have ever been left to retire in peace—instead, they have been disgraced, imprisoned, or died in mysterious accidents or from unusual illnesses. The explanation is simple: wut leh deh. Even for the most powerful and tenacious, there is no escape from the elemental karmic circle of life. Buddhist belief is writ large in circular form in the countless pagodas that have been built across the land from ancient times to modern days. Worshippers remove their shoes to perambulate the structure barefoot in clockwise direction, mapping out meditative circles around the pagoda and passing shrines that are symbolically linked t the planets of the universe. As these planets represent the days of the week and control the life cycle, individuals make offerings of flowers, incense and prayers to the shrine that represents the day they were born in the hopes of appeasing the fates that hold sway over their lives. Circles also resonate in the more earthly rituals of daily life in Burma. Roberts captures an image of a Ferris wheel powered, not by electricity (which is a rare commodity throughout most of the country), but by human energy as a team of men clamber up the rusting metal spokes and use their combines weight to move the wheel and create a spinning circle of delight for the children and adults onboard. A different kind of circle can be found in the teashops, which are veritable institutions of Burmese social life and act as a meeting point where people can gather to exchange news, collect the latest political or neighborhood gossip, down a morning caffeine hit before work, or while away the humid endlessness of a tropical afternoon. The teashops are often furnished with low stools and small tables around which groups of friends and colleagues huddle together in what is referred to in Burmese as a waing (a gathering, or a circle). When inviting an extra person to join them, it is common teashop parlance for someone to pull up an extra stool and say, “Sit, join our waing.” So, as a teashop companion might say, sit. Turn the pages of this book, and join the waing. EMMA LARKIN is an American writer who was born, raised, and still lives in Asia. She studied the Burmese language at the School of Oriental and African Studies in London and has been visiting Burma for more than fifteen years. She is the author of Finding George Orwell in Burma and Everything is Broken (also called No Bad News for the King), both published by Penguin in the US.
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Product details
Hardcover: 120 pages
Publisher: Abbeville Press; First Edition edition (September 20, 2011)
Language: English
ISBN-10: 0789211092
ISBN-13: 978-0789211095
Product Dimensions:
10.8 x 0.5 x 11.5 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#1,100,693 in Books (See Top 100 in Books)
This is a terrific book which I went through five times the day it arrived, each time looking in greater detail at the fantastic photographs. It is also an important book on at least two major levels.First, it portrays post World War II Burma, until today caught in a time warp. When I last visited in 1985, I saw only one building, a hospital built with Japanese money, constructed since the War, and the ubiquitous '56 Chevy was the car of choice. It is not for nothing that Mr. Roberts shows us only a partial view of one motorized vehicle and only one picture with any evidence of electric power. This is the beautiful and serene Burma which captivates visitors, the Burma which is the most Buddhist of all countries.Unfortunately, it is also the Burma whose military rulers have kept in a deep freeze while the rest of Asia has prospered. Of course there has been some development, including tourist hotels and the oil & gas industry, neither of which has much benefitted the people, but the attempts to put down armed insurrections in border provinces, the drug trade, and the periodic suppression of political reformers have continued unabated.Recently, however, there have been indications of a possible shift into more inclusive and open government with the addition of a civilian element in the government, the release of some political prisioners, and the failure (so far) to rearrest the Lady for activities previously forbidden to her.Second, and more relevant today, Mr. Roberts' volume displays the essence of Burma whatever track it takes politically and economically and that is the central role Buddhism plays in the lives of the people. I firmly believe we shall continue to see the scenes Mr. Roberts has so eloquently captured in his pictures of Burma's Buddhist worshippers, nuns, monks and shrines. In this Mr. Roberts has given us the timeless Burma.
I received the book earlier than expected in a good condition. Thanks a lot! A good and well made book. There was an overlap with the other book (same photos used). so that was a bit disappointing.
This is a wonderful compilation of photos capturing the essence of Myanmar (Burma). I will treasure the photos as this was one of my favorite trips we have taken. It is such a special country with amazing sites and wonderful people. Fred Roberts is am amazing photographer who brings the peaceful life of Burma to us in pictures.
Humanitas III is magnificent and a true reflection of the people and places of Burma. Whether you've been there or not you will have a real sense of the landscape, the wonderful people, and the very texture of the place.
Some of the most beautiful and meaningful photographs . Let's the reader explore and heretofore unknown country and culture! A wonderful photgraphic book.
Absolutely gorgeous photos of the people of Burma at work at play. If you know Burma at all these photos will bring tears of nostalgia. If you don't, you'll want to go and see for yourself. Chapeau Monsieur!
With Humanitas III: The People of Burma, Fredric Roberts truly does capture the essence of the Burmese people from throughout the country. It is a well rounded compilation displaying the various walks of life that are present in a country that for many years has been a mystery to the outside world. Through his "plates" Roberts shows the peaceful nature of the monks, the wonder held by the children, and the strong connection that all Burmese hold to the natural world that surrounds them. The book is well organized and cleanly laid out. A short introduction centers the reader and then he allows his photographs to speak for themselves.
Just as in his previous books, Humanitas and Humanitas II, Mr Roberts has capture the essence of Burma. His photographs are bursting with colors, they are vibrant, full of life. I can see life reflected in peoples eyes, their peace, sufferings, joy and innocence as their everyday rituals and activities come to life in his book.Great book!!!
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